2/18/2023 0 Comments Fayum mummy portraits![]() Functionality Cookies: These are used to allow the website to remember choices you make (such as your language) and provide enhanced features to improve your web experience. ![]() Strictly Necessary Cookies : These are essential in order to enable you to use certain features of the website, such as submitting forms on the website.The types of cookies used on this Site can be classified into one of three categories: It is recommended that you leave on all cookies if you are not sure whether you need them or not, in case they are used to provide a service that you use. Unfortunately, in most cases, there are no industry standard options for disabling cookies without completely disabling the functionality and features they add to the site. ![]() We use cookies for a variety of reasons detailed below. We will also share how you can prevent these cookies from being stored however this may downgrade or ‘break’ certain elements of the Site’s functionality. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).This document describes what information they gather, how we use it, and why we sometimes need to store these cookies. Some of them were long considered portraits of the family of the Theban Archon Pollios Soter, a historical character known from written sources, but this has turned out to be incorrect. During the 1820s, the British Consul General to Egypt, Henry Salt, sent several further portraits to Paris and London. It is so similar to de Laborde's specimens that it is thought to be from the same source. Ippolito Rosellini, a member of Jean-François Champollion's 1828/29 expedition to Egypt, brought a further portrait back to Florence. In 1827, Léon de Laborde brought two portraits, supposedly found in Memphis, to Europe, one of which can today be seen at the Louvre, the other in the British Museum. In 1820, the Baron of Minotuli acquired several mummy portraits for a German collector, but they became part of a whole shipload of Egyptian artifacts lost in the North Sea. The provenance of these first new finds is unclear they may come from Saqqara as well, or perhaps from Thebes. He transported some mummies with portraits to Europe, which are now in the Albertinum (Staatliche Kunstsammlungen Dresden).Īlthough interest in Ancient Egypt steadily increased after that period, further finds of mummy portraits did not become known before the early 19th century. The Italian explorer Pietro della Valle, on a visit to Saqqara-Memphis in 1615, was the first European to discover and describe mummy portraits. Due to the hot dry Egyptian climate, the paintings are frequently very well preserved, often retaining their brilliant colours seemingly unfaded by time. The majority were found in the necropoleis of Faiyum. The former are usually of higher quality.Ībout 900 mummy portraits are known at present. Two groups of portraits can be distinguished by technique: one of encaustic (wax) paintings, the other in tempera. ![]() In terms of artistic tradition, the images clearly derive more from Greco-Roman artistic traditions than Egyptian ones. They usually depict a single person, showing the head, or head and upper chest, viewed frontally. Almost all have now been detached from the mummies. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies. The portraits covered the faces of bodies that were mummified for burial. They are among the largest groups among the very few survivors of the panel painting tradition of the classical world, which was continued into Byzantine and Western traditions in the post-classical world, including the local tradition of Coptic iconography in Egypt. It is not clear when their production ended, but recent research suggests the middle of the 3rd century. The portraits date to the Imperial Roman era, from the late 1st century BC or the early 1st century AD onwards. While painted cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the time of the Roman occupation of Egypt. "Faiyum Portraits" is generally used as a stylistic, rather than a geographic, description. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara in the Fayum Basin (hence the common name) and the Hadrianic Roman city Antinoopolis. The Fayum portraits are the only large body of art from that tradition to have survived. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) is the modern term given to a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |